“Troldtekt Raw” takes us back to the essence of Troldtekt – namely moulding a mix of wood fibres and cement. In this case the author suggests that the Troldtekt raw materials are simply sold as do-it-yourself-kits for the users to explore new ways of building with the material. Obviously it takes a lot of knowledge to produce perfect off-the-shelf Troldtekt boards –in fact, it’s a process which requires professional experience, certificates and much more. However, we believe that users and even professional builders would come up with new ideas for using the material if they were given the base materials – we have already seen students moulding their own chairs and at the 2012 Troldtekt award a special prize was given to a “home-made” unique Troldtekt panel.
If taken a little further this could be seen as a kind of crowd harvesting comparable to the present day app stores where people – not programmers – come up with fantastic ideas for new applications. We might even see a “moulding community” sharing personal Troldtekt inventions on modern social media which would be a natural part of the new maker culture.
There is not a lot to say about this proposal since it leaves us to go and do the design and therefore you might even accuse the author of not making an actual proposal. However, it is exactly this brilliant mind trick that seems so compelling and makes us focus on the essence of the material.
Watch the interview with the Troldtekt Award 2014 winning team from Mexico & the 1st special prize winner from Malaysia.
Watch the interview with the three architects in the Troldtekt Award 2014 jury; Jorge Vidal Tomás architect & co-founder of Rahola Vidal arquitectes (Spain), Bjarne Mastenbroek architect & founder of SeARCH (The Netherlands), and Mikkel Frost architect MAA co-founder and partner at CEBRA A/S.
The idea of the “Acoustic Forest” completely nails the fine balance between innovation and realism.
Inspired by hangers the author proposes a rectangular stick with a cutout making it possible to simply hang it from a suspended grid. Even though these elements could of course be cut with a regular saw, it is also possible and more realistic to line up a modern and more efficient production line based on laser cutting. You simply receive a box of stick hangers and mount them rapidly on site using no tools at all. Besides the very convincing decorative and acoustic qualities of the ”suspended forest” it is quite nice to avoid nails - seen from both an environmental, mounting and conceptual perspective.
The idea is simple and beautiful and it would be wonderful seeing a prototype of the Acoustic Forest installed in a real space.
This new ceiling system is awarded a prize because it demonstrates a new way to hang Troldtekt panels from the ceiling – an application which is already so widely explored that you´d think it impossible to come up with yet another idea. It is also refreshingly simple both to understand and mass produce.
The design is “organic” even though is it based on flat panels so it is certainly buildable and with its beehive inspired is probably very appealing to birds. Even so, the actual shape is almost secondary – the main reason for awarding this project is the new undiscovered market of birds.
It should be added that the Troldtekt material is very suitable for natural environments since it is 100% organic and therefore biodegradable. The Vogelhaus would first weather and deteriorate and in the end it would simply disappear like the material in a compost facility.
The project is clever and it is very refreshing to receive a proposal written with such a great f……ing sense of humour. It reminds us that architecture should be fun.
So, why the f…k is a Vogelhaus awarded a special prize? First of all, and this is the main reason, we think that bringing the Troldtekt panel into a totally new context (housing for birds) is a really simple and yet original idea. Actually when you look at the material which has an almost bird’s nest like structure you might even say that the idea is obvious.
The “Season modules” project is presented in a very clear and compelling way with fresh and provocative colours which add a new dimension to the Troldtekt material.
This building block system of equilateral triangular blocks and tubes can be put together in a number of ways. The author suggests placing them on the floor, hanging them from the ceiling or erecting them as free standing space dividers. Thus the different configurations may become many different things and support many uses. It is a system which involves the user since he or she can in fact combine them freely and build highly personalised structures to suit specific spaces or be part of certain building projects.
The design is very simple and quite believable in terms of production. We think this proposal takes the use of Troldtekt further in a both inspiring and convincing way.
The Troldtekt award has gained increasing attention since it originally started as a Danish only competition. Now it is international and has gathered over 115 entries from 39 different countries.
This year, because of the high number of projects, it was impossible to compare the quality of all the entries, based on ‘simple’ criteria. As a result, the jury - consisting of Peer Leth, managing director of Troldtekt, Niels Kappel, head of product development at Troldtekt, Mikkel Frost, architect/partner of CEBRA, based in Århus, Jorge Vidal, architect/partner at Rahola Vidal in Barcelona and Bjarne Mastenbroek, founding architect of SeARCH in Amsterdam - decided to have four different categories in order to give room for the enormous diversity and different qualities of the entries. Tina Kristensen and Camilla Jakobsen, both from Troldtekt, also assisted.
In the category CEILINGS we have seen very nice examples of an alternative use of material and the best proposals did have a very simple “twist”. In PANELLING we saw a lot of proposals but once again, with such a strong, simple product as Troldtekt, it is quite hard to beat it and again “simplicity killed the cat”. The winning design is smart, optimistic and has an appealing aura. SPACES was a complex category with an extremely different outcome. In the end, we didn’t choose a space that doesn’t completely balance the “touch-ability” of the material but in fact matches very well. We selected eight finalists in these four different categories. We then choose three winners and a final Award, one for each category.
In this edition, for the jury, the real beauty lies in the more conceptual approach of the material, giving way to many uses yet to come. It opened our eyes, in fact, the winning entry over all categories was found here. Another entry, a mushroom shaped stool cast by students, was in fact the perfect example of the powers of the overall winner. The real beauty is out there, somewhere on the Internet and yet to come. We all invite you to look for it.
The International Troldtekt Award 2014 is a biennial concept competition for international students of design & architecture. The Award encourages students to explore Troldtekt acoustic panels and find new uses for them that are not only creative but also possible to realise in practice.
The project can describe the proposal from small scale to large scale. The competition is open – the only condition is that Troldtekt is incorporated in a creative and realistic way. In other words, participants can choose to impose colours, shapes, their imagination or something completely different on the Troldtekt products. The assignment is a concept competition and is therefore not restricted by the cost of realising the proposal in practice.
The Award is global and open to any registered student of design & architecture. The winner wins a prize of 5,000 Euro.
The jury, comprising among others internationally renowned architects will award a winner. The deadline for registering for the International Troldtekt Award is the 1st of April 2014. The deadline for submitting a project is the 30 April 2014.
© ludloff+ludloff Architekten, Berlin, Photo Simon Bagge
The winning project for the Troldtekt Award 2012 appealed greatly to the jury. Hence, the German member of the panel, architect Jens Ludloff now has a prototype in his own office, Ludloff & Ludloff in Berlin.